63

EVELINE SYME (1888-1961)
Sydney Tram Line

colour linocut
signed, titled and editioned on margin: E. W. Syme / Sydney Tram Line 1/25
24 x 17.5cm

PROVENANCE
Josef Lebovic Gallery, Sydney
Private collection, Sydney
Leonard Joel, Sydney, The Estate of Colin Lanceley, 16 November 2015, Lot 197
Private collection, Sydney
Works from the late Andrée Harkness Collection, Melbourne

EXHBIITED
Exhibition of Pictures by the Contemporary Group of Artists, David Jones' Galleries, Sydney, July 1937, no. 93 (another example)
A Survey of Australian Relief Prints 1900/1950, Deutscher Galleries, Melbourne, 13 April – 5 May 1978, cat. no. 180 (another example)
Melbourne Woodcuts and Linocuts of the 1920's and 1930's, Ballarat Fine Art Gallery, Victoria, 1981, and travelling (another example)
Out of the Book and On to the Wall: The Relief Print, Australian National Gallery, Canberra, 20 February – October 1984 (another example)
Claude Flight and His Followers: The Linocut Movement between the Wars, Australian National Gallery, Canberra, 18 April – 12 July 1992, and touring, cat. no. 100 (another example)
Modern Australian Women: Paintings and Prints 1925 – 1945, Art Gallery of South Australia, Adelaide, 24 November 2000-25 February 2001, and touring (another example)
Sydney Moderns: Art for a New World, Art Gallery of New South Wales, Sydney, 6 July – 7 October 2013, (another example)

LITERATURE
Butler, R., and Deutscher, C., A Survey of Australian Relief Prints 1900/1950, Deutscher Galleries, Melbourne, 1978, cat. 180, pp. 91, 118 (illus., another example)
Butler, R., Melbourne Woodcuts and Linocuts of the 1920's and 1930's, Ballarat Fine Art Gallery, Victoria, 1981, unpaginated (illus., another example)
Coppel, S., Linocuts of the Machine Age: Claude Flight and the Grosvenor School, Scolar Press, Aldershot, England, in association with the National Gallery of Australia, Canberra, 1995, pl. 43, cat. ESy20, pp. 184 – 185 (illus., another example)
Topliss, H., Modernism and feminism : Australian women artists 1900-1940, Craftsman House, Roseville, New South Wales, 1996, p. 149 (illus., another example)
Hylton, J., Modern Australian Women: Paintings and Prints 1925 – 1945, Art Gallery of South Australia, Adelaide, 2000, pp. 57, 81 (illus., another example), 126
Edwards, D., and Mimmocchi, D. (eds.), Sydney Moderns: Art for a New World, exhibition catalogue, Art Gallery of New South Wales, Sydney, 2013, pp. 71 (illus., another example), 316

RELATED WORKS
Other examples of this print are held in the collections of the National Gallery of Australia, Canberra; the Art Gallery of New South Wales, Sydney; and the Ballarat Fine Art Gallery, Victoria

© Estate of Eveline Syme

  • Condition: The print is framed, mounted and glazed. The image has been viewed outside the frame and paper is not laid down.
    No visible indentations or perforations to the paper.
    Minimal discolouration to the image, most noticeably in the margin consistent with age.
    This print is in good condition.

    Click here for additional images:
    https://www.dropbox.com/scl/fo/qlhtfnepxo4luun96nht5/AFrSWhCH4-_O22bu63s-9K8?rlkey=a66hl1gk5j00bzclyva3n3e83&st=958iekgz&dl=0


    All items are sold on an 'as is' basis. Statements in the catalogue entry or in the condition report are statements of opinion and are not to be relied upon as statements of fact. All statements are provisional and do not constitute a representation, warranty or assumption of liability by Gibson’s.  Lots should be evaluated on personal inspection by the bidder or a knowledgeable representative. The absence of such statements does not imply that the Lot is free from defects or restoration. Neither Gibson’s nor the Seller is responsible for any errors or omissions in the catalogue or any supplemental material. Any requests for specific condition reports are actioned chronologically over the course of the viewing period and may have a short delay. 

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