60

DORRIT BLACK (1891-1951)
The Quartette 1936

colour linocut
signed, titled and editioned on margin: Dorrit Black. / The Quartette. 4/50
15 x 24cm

PROVENANCE
Estate of Edith Lawrence, London
Thence by descent
Private collection, United Kingdom
Tennants Auctioneers, United Kingdom
Private collection, Sydney
Deutscher and Hackett, Melbourne, Important Australian + International Fine Art, Melbourne, 27 November 2019, Lot 2
Works from the late Andrée Harkness Collection, Melbourne

EXHIBITED
Lino-Cuts 1936 (Seventh Exhibition of British Lino-Cuts), Ward Gallery, London, 10 June – 8 July 1936, cat. 19 (another example)
An Exhibition of Oils, Watercolours and Lino Cuts by Dorrit Black, Royal South Australian Society of Arts, Adelaide, 7 – 23 July 1938, cat. 40 (another example)
Drawing, Print and Watercolour, Contemporary Arts Society, Adelaide, 1952, cat. 23 (another example)
Dorrit Black: Unseen Forces, Art Gallery of South Australia, Adelaide, 13 June – 7 September 2014 (another example, as 'The String Quartette')
Modern Australian Women: Works from a Private Collection, The Ian Potter Centre: National Gallery of Victoria, Melbourne, October 2018 - March 2019

LITERATURE
North, I., The Art of Dorrit Black, Art Gallery of South Australia, Adelaide, 1979, cat. L30, pl. 19, pp. 73 (illus., another example, as 'The String Quartette, 1936'), 132
Coppel, S., Linocuts of the Machine Age: Claude Flight and the Grosvenor School, Scolar Press, Aldershot, England, in association with the National Gallery of Australia, Canberra, 1995, cat. DB30, p. 160 (illus., another example)
Lock-Weir, T., Dorrit Black: Unseen Forces, Art Gallery of South Australia, Adelaide, 2014, pp. 102 (illus.) 204 (illus., another example)
Andrée Harkness, Modern Australian Women Artists: The Andrée Harkness Collection, Amaled Pty Ltd, Melbourne, 2020, pp. 152, 159 (illus.) (a copy of this book accompanies this work)

  • Condition: The print is framed, mounted and glazed. The frame is not original. There is no visible perforations or indentations to the paper. Slight creasing and there is a wave to the paper. Scattered areas if light discolouration and staining consistent with age. The work has been viewed outside of the frame and is hinge mounted and not laid down. This print is in good condition. Please click here for additional images: https://www.dropbox.com/scl/fo/31flaloqp4fpfptrfcgbe/ANkg7cnnZBeELg0p1nAGrYs?rlkey=0x3e1wpw5dyqu1sdftl0ej1el&st=i720zton&dl=0

    All items are sold on an 'as is' basis. Statements in the catalogue entry or in the condition report are statements of opinion and are not to be relied upon as statements of fact. All statements are provisional and do not constitute a representation, warranty or assumption of liability by Gibson’s.  Lots should be evaluated on personal inspection by the bidder or a knowledgeable representative. The absence of such statements does not imply that the Lot is free from defects or restoration. Neither Gibson’s nor the Seller is responsible for any errors or omissions in the catalogue or any supplemental material. Any requests for specific condition reports are actioned chronologically over the course of the viewing period and may have a short delay. 

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